Thursday, August 20, 2015

The Mark

(So, this is a story I'm working on. I'll post pieces of it as I convert the written version to text. The notes Kira writes are contained in textboxes, so I'll have to re-insert those.)


The Mark

Written by Ryan Mains

Lara Washington floated down the river. The darkness of the water contrasted her hair, a flaming red. With a slashed throat, she was almost certainly dead. Of course, her friends and family didn’t know this yet, so she was also, to them at least, alive. A Schrodinger’s Girl, if you will. Of course, they would find her eventually, and that’s when things will really go downhill.

 

                                *           *            *

 

Kira groaned as she walked to the broken-down trailer in front of her. This was Chuck’s house. She really didn’t like Chuck. She stopped at the door, and briefly considered walking away. In spite of herself, she knocked. There was an uncomfortable long pause, and then the door opened. Kira was greeted face-first with a horrid, almost certainly drug-related stench. She frowned once she set eyes on Chuck. Everything about Chuck just oozed sleaze. The yellow teeth. The bloodshot eyes. The greasy wifebeater and jeans. He grinned. “Kira, what brings you to my humble abode?” She ignored his false charm. “Where’s Lara, Chuck?” Chuck looked confused. “Why would I know where she is?” Kira scoffed. “Because she’s your girlfriend? Don’t try this crap with me, Chuck.” Chuck shrugged, “I haven’t seen her since the party at Dan’s house.”
 
She raised an eyebrow, disgust visible in her tone. “You took her to a party?” Chuck was insulted. “Before you ride away on the goddamned high horse, I’ll let you know nothing happened. Some other guy drove her home.” “Who?” Now he was angry. “I don’t know. I was high, could barely tell where I was. All I knew was that the guy gave me the creeps. Now we gonna play 20 questions or are you gonna get off my porch?” She pulled out her notebook and scribbled down some notes. “Goodbye, Chuck.” She stepped off of the porch, not bothering to turn at the sound of the door slamming. She wasn’t surprised that Chuck was less than helpful.
 
Suddenly, her cellphone buzzed. She answered. “Hello?” “Where are you, K?” Kira cursed silently. “Hey, Dad. I’m, uh, I’m staying after at school.” There was silence, then a sigh, on the other end. “Where are you really?” Figures her dad would see her through lie. “I’m at the trailer park. I was talking to Chuck about Lara.” Her dad sighed again. “Alright, I’m coming to pick you up.” “No, you don’t have to-““Yes, I do. Stay there, K.” She hung up. “Damn it.”

                                   *               *              *

It took 20 minutes for Officer Frank Andrews to pull up to the trailer park. “Hey, Dad.” “Hey, K. Get in.” They drove in relative silence for a few minutes. Kira broke the silence. “Look, Dad, I only went over because-““You don’t think the cops can handle this? We already shook own this Russo scumbag. I doubt he told you anything different. You-“ He pointed at her with his gloved hand. His hand had been badly burned by the accident that had killed her mother. “-need to stay out of this. You don’t know what kind of stuff Lara was wrapped up in. I lost your mom, but I ain’t losing you.” If this hadn’t been the hundredth time she’d heard this speech, it would’ve had actual weight. “Look, Dad, I’m sorry.” Frank hesitated. “Alright, honey.” They pulled into the driveway of the house. “So I’m still working for a bit. I’ll be home around 9 or 10, alright?” Kira nodded, then stepped out of the car. “Hey, K?” She turned. “We’re gonna find her. Ok?” She smiled, thin and largely forced, but it seemed to please her father. She stepped into the house, left her keys on the table, went to her room. Taking out her notebook, she tore out the page of her notes on the meeting with Chuck and stuck it to her wall. The information was lacking. “Where are you, Lara?” One part of her said, “Alive and well.” But everything else said, “Dead and gone.”

                     *                       *                     *

Kira awoke in the middle of the night to the sound of something the wall of her room. Her window was open, as always. On the floor lay a rock with a note tied to it. She bent over and picked up the note. “Meet me at the tree afterschool-T.” Kira frowned. She didn’t recognize the writing. “T?” She closed the window, then left the rock on the windowsill and went back to bed.

                       *                    *                      *

Kira felt a sense of loss as she walked up to the tree. Located at a nearby lake, she and Lara had played here as kids. Whoever wanted to meet here obviously knew the two of them well. She checked her watch. “It was 2:30, and there wasn’t any sign of “T’. There was rustling in the bushes, and she turned to see a teenage boy in a green jacket, a Doctor Who t-shirt, and jeans stepped out of them. If she hadn’t figured it out by then, the partially broken glasses and messy dark hair helped Kira figure out the identity of “T”. “Theo?”
 
Theo Marcellin was something of a loner. He rarely spoke up during classes, ate lunch alone, and didn’t seem to care much about other people. Lara had taken it upon herself to bring him out of his shell. The efforts, for the most part, weren’t successful. He looked around nervously, and then said,”Hey, Kira.” She looked at him with interest. “Why did you throw the rock through my window?” He chuckled, then replied, “Because you have no idea what you’re getting yourself into.” She looked confused, and then replied, “And you do?” He nodded. “Alright then, where’s Lara?” He shook his head. “Can’t tell you that.” She got angry. “Why not? How do I know everything you say to me isn’t a lie?” He got even more nervous. “Because I can’t tell you anything beyond clues, or bad things happen. I can give you pieces, but not the whole puzzle.”
 
 Kira rolled her eyes, but got out her notebook anyway. “Alright, give me a “hint” then.” He nodded, and replied, “Your friend was wrapped up with very bad people. Kira frowned, “You don’t think I already knew that? Are you saying Chuck-“Theo shook his head. “Not him. Bigger.” She started to ask who, but realized he wasn’t going to ask that. “That’s all I have. I’ll contact you if I have anything else.” He turned to leave, but Kira stopped him. “Why are you helping me?” He seemed to form a response, but stopped himself. “Maybe I’ll tell you later.” He walked back into the bushes. “Alright, then.” Kira scribbled down some notes, then left.  

Thursday, August 13, 2015

Guest Review: Ant-Man


After the good but not particularly great Avengers 2, Marvel knew they needed something special. Outside of the box. They needed another Guardians. So they fired the brilliant and unique Edgar Wright and replaced him with Peyton Reed, director of Yes Man. (Okay, maybe more on that later.) But is Ant-Man a good movie, despite its troubled production, or is it just another bug on the windshield that is the rapidly growing superhero movies industry? Read my review and find out.

Ant-Man tells the story of Scott Lang, an ex-con, who after breaking into the home of former Ant-Man Hank Pym, finds himself in the possession of the Ant-Man suit. Drawn into a battle between Pym, his daughter Hope, and Pym's former protege Darren Cross, who intends to weaponize Pym's creation of Pym particles (particles that allow the wearer to grow and shrink) and sell them, unsurprisingly, to HYDRA (I'll talk about them in my notes section.), Lang must prove his potential as a hero in time to prevent a catastrophe.

The plot of Ant-Man is a solid heist flick, with some genuinely funny lines. It's fairly standard, all things considered, and can more or less be considered an inversion of the 1st Iron Man. (Young Tony Stark tries to prevent his old protege Obidiah Stane from weaponizing the Arc Reactor.) Of course, the replacement of Edgar Wright probably prevented a more impressive and out-there of the film we eventually got, but Reed's script is still solid, with one of the best gags actually being written by him. Although, the final battle does drag a bit, and the finale 

As for performances, they're also solid. Rudd's funny, with just enough seriousness to make him a likable character worth rooting for. As Hope, Evangline Lily sells a sense of bitterness and resentment that makes her an interesting foil to Lang. Fulfilling the Marvel tradition of casting a veteran actor in a crucial role, Micheal Douglas absolutely kills it, selling a world-weary former hero with a subtle sense of sadness that a lesser actor might have totally botched. And while his character may have unclear motives in the endgame, Corey Stoll is unsurprisingly terrific as Cross, a man driven mad by a seething resentment and hatred against the people he once considered friends. 

                                                Sounds familiar, now that I think about it. 

Of course, the best performance is quite obviously Micheal Peña as Luis, Scott's best friend and leader of his own crew of thieves. Peña steals every scene he's in, and his raming Drunk History-esque stories are easily the film's best scenes. (And they were written by Peyton Reed, so suck it, Edgar Wright. ...Just kidding I love you bud.) Every Marvel film needs comic relief as side-splittingly funny as Luis. 

All in all, Ant-Man, despite Edgar Wright's unfortunate departure, is a solid superhero flick with humor and heart. Go see it, or better yet, pirate it, so you don't have to give Marvel money and encourage them to fire interesting directors in favor of generic ones.

Overall Score: 4 out of 5

Notes: 
>Why is the HYDRA rep in Ant-Man some new guy and not Grant Ward? I know most people don't watch Agents of Shield, but this is somewhat ridiculous seeing as how he's HYDRA's new de facto leader.
>Also, one of the buyers had a Ten Rings tattoo, even though we're never going to deal with the Mandarin again. The Mandarin is the City College of the MCU. 
>"Baskin-Robbins always finds out." Ant-Man might be the funniest Marvel movie thus far. 
>Yes, I have seen Fantastic Four, and no, it's neither good enough or bad enough to write an 4-paragraph review over.
>I know that burn at the end might be meanspirited, but Marvel has 1. replaced Edgar Wright with Peyton Reed because he's cheaper and handles executive meddling better. 2. chosen the Russo bros. over James Gunn to direct Avengers 3, with the reason inevitably being that they're cheaper.